Featuring a new fictional character, Giselle, this blog will explore the main aspects of appraisal theory of emotion and control-value theory. The blog outlines appraisal and important emotions, Giselle’s perceptions of control and value, and her specific emotions and motivations. Theories and examples are supported by integrating and explaining several key moments in the 2007 film, Enchanted.
Giselle’s Appraisal: Important Emotions
Giselle experiences a wide range of
emotions in alignment with the appraisal theory of emotion. Appraisal theory of
emotion is the cognitive understanding of emotion (Reeve, 2009). The appraisal
causes and elicits the emotion. But before appraisal happens, there must be a
perception of a situation or event. People perceive a situation or event as
either positive or negative. They make sense of it via appraisal, is this
important to me and my environment? Is this beneficial or harmful?
Giselle makes an appraisal that she is in danger in New York City. It is nighttime. She is all alone in a strange place. Feeling threatened, she starts to cry, distraught with fear. She talks through her sadness to a lonely mendicant, taking comfort in the fact that at least someone is listening to her. But instead of helping her, the mendicant steals Giselle’s crown and runs off! Concluding that he meant her harm, Giselle becomes angry and runs after him, yelling, “You are not a very nice old man!”
A loud thunderclap frightens Giselle, making her scream and run away. The next instant, Giselle finds herself in a rainstorm and her beautiful dress gets ruined. In these few moments of perception to appraisal of emotion, Giselle experiences a broad range of emotions: frustration, fear, sadness, soothing, surprise, anger, surprise again, and finally helplessness.
Control-Value Theory
Clean-Up Scene: Giselle’s Perceptions of Control and Values
In New York City, Giselle meets Robert, a kind man who invites her to his apartment to spend the night from the rain. The following morning, Giselle wakes up to a dirty apartment. Her goal is to clean it up and make breakfast for her new friend, Robert. Opening the window, Giselle calls out in a sing-song voice, “aaa-aaa!”. All the animals in NYC, including the rats and cockroaches, hear her song and come magically rushing over to help!
Giselle is pleased with her perception of control (Turner, 2022). In her old home in Andalasia, Giselle would ask her woodland friends to help her sew, cook, and clean. Her ability is a valuable intrinsic goal. As she waits for her one true love to save her, she can enjoy the company of her woodland friends. In NYC, she maintains her magical ability to summon wild animals. As a result, Robert’s apartment is tidied up in no time at all. Additionally, Giselle can take a shower, make herself a dress, and cook breakfast all before he wakes up!
Clean-Up Scene: Giselle’s Specific Emotions and Motivation
Angry Scene: Giselle’s Perceptions of Control and Values
A second example of Pekrun’s (2018)
control-value theory is when Giselle and Robert have an argument about finding
Edward. Robert, a seasoned divorce attorney, is not convinced that Edward is ever
going to ‘save’ Giselle. Giselle is convinced that he is, and she believes that
they will both live happily ever after. Robert explains that people who cannot
work out their problems in the beginning of a relationship cannot improve their
relationship over time. And he adds that chipmunks do not talk! Giselle refuses
to let him finish his arguments, using all sorts of rebuttal phrases to
discredit him. Yet, through this argument she realizes that she cannot talk to wild
animals in NYC like she can in Andalasia. She cannot control Edward’s actions
and she does not know where he is. Finally, she cannot understand why Robert is
pragmatic about love, marriage, and life after marriage.
Angry Scene: Giselle’s Specific Emotions and Motivation
This is my favorite
scene in the whole movie because it shows the broadest range of emotions in
Giselle. It creates the turning point in her humanity and challenges her
goal-striving. Her motivation is to look for Edward and live happily ever
after, but now this motivation is challenged with new appraisals and emotions.
Is Edward looking for her? Will she ever see him again? Why does Robert always
disagree with her? What is she going to do now? With her appraisals, comes a
shower of emotions (Turner, 2022).
At the beginning of the scene,
Giselle is joyful, pleased with her storytelling skills. Then she smiles
because of her faith in Edward: he is coming for her. When Robert mentions that
chipmunks don’t talk, Giselle gets slightly flustered and exasperated “They
don’t talk here!”, she refutes. Her smile is gone, and her mood has completely
changed from enjoying this conversation to wishing it was over. She has a
choice: act or withdraw. She decides to give Robert her full attention and
settle this once and for all.
Over time, Giselle uses her emotions
as a guide to change her motivation for marrying Edward. The next morning,
Edward arrives! However, instead of running immediately back to Andalasia together
and getting married, Giselle asks Edward to go on a date and talk. Giselle is
appraising Robert’s advice, gauging her emotions about Robert and Edward, and
also changing her motivations….(to be continued next week!)
References
EnchantedAmyfan. (2011, Jan 7). Enchanted
- Amy Adams 'angry' scene (HD) [Video]. Youtube.
https://www.youtube.com/watch?v=kVADyXM2f_A
Images
made possible by the fair dealing exception from the copyright act.
Pekrun, R. (2018). Control-value theory:
A social-cognitive approach to achievement emotions. In G. A.
D. Liem, & D. M. McInerney (Eds.), Big Theories Revisited 2: A volume of research on
sociocultural influences on motivation and learning (pp. 162-190). Charlotte, NC: Information
Age Publishing.
Turner, J. (2022). 2022 Appraisals & Control-Value [Powerpoint Slides]. Learning and Cognition,
Florida State University.
https://canvas.fsu.edu/courses/218133/files/19974946?module_item_id=4423596





